i think you're brilliant. i don't think I've ever told you that, but it's true.

i think you're brilliant. i don't think I've ever told you that, but it's true studies how materiality is processed and understood through the act of play and chance. Sometimes swallowed whole and digested, sometimes fragmented and scattered, and sometimes suspended to be tended to at a later date. Through chance and random acts, how can the suspended information be accessed? Must it be accessed? Can it solely be observed? Without contextualisation, without attachments, without forced ideas? Does the material know how provocative it is?